From 1913 to
1930
Abstract art:
It was influenced by everyday life. The First World
War was shocking to the artists of this time and that is why it was influenced
by everyday life. This art was to show your emotions and not return to the
realistic and taking over abstraction. Piet Mondrian began abstract art by
making a painting which is nothing that you see and compare to the world. Art will show life but will show peace and
balance.
Abstraction now
became to move into the style of architecture and this was called functionalism. It was called functionalism because now they
started to add a function to the artwork which had no meaning at all.
In 1917, In Holland,
Theo van Doesburg and Piet Mondrian had made a journal called the De Stijl. This
journal gave a chance to every artist, poets, sculptures and architects to show
their work in this journal.
In 1919, the German Bauhaus artists began to re-unite
art and crafts together.
The actual place of constructivism was in Russia. The style
constructivism showed emotions and their painting only followed by triangles,
perfect rectangles, straight lines meeting somewhere and colours put randomly. This
now became Dutch constructivism. Piet Mondrian painted a lot of similar paintings
with rectangles, squares and straight lines but he managed to make something different
in every single one and show the character.
De Stijl: the
journal
In the 20’s De
Stijl had an influence on the school Bauhaus, they were influenced by the
expressionists and the work of the Bauhaus students became more geometrical and
more technical. Kandinsky fell in love
with the painting of Malevich el Lissitzky which was showing the Avant garde.
In 1917 after the October revolution the young Soviet Union
gave the chance for artists to take part in the shaping of society. From the
art which is technical and aesthetic they started to construct work from engineers. Here another art began to be invented poster
design, fabric and fashion design, typography, photography, interior design and
architectural design. They wanted to
chance from the traditions of the visual art and many architectural projects
were being made.
Composition in red yellow and blue Piet Mondrian 1922
El Lissitzky
Malevich Avant Garde
Bibliography:
1998. The Story of Painting (Compact Knowledge). illustrated edition Edition. Konemann.